- See also:Canon vs Nikon - DSLR Comparison
Colour Temperature and Measurement
Now that you know what the white balance is, it’s time to understand how it works. Firstof all, in order to measure the colour temperature of a picture, we have to use Kelvin degrees.
In terms of photography, the range we are most interested in is between 2000 and 10000 Kelvin degrees. The higher the temperature number, the warmer your shot will be. But what does that mean?
If you are shooting in the presence of astrong warm light, then you might want to balance the colours of the picture by selecting a white balancebetween 2500K and 4500K, otherwise everything may look red or orange. Conversely, if you are shooting in an environment with cooler light (such as overcast skies, blue hour or twilight), then you should select a white balance between 6500K and 9000K in order to avoid filling up the entire frame with blueishtones.
When shooting outside during the daywithout any strong colour cast, you can opt for a temperature of around 5000 to 6000K.
Basically, each camera on the market has an automatic white balance mode, whereby the camera will try to select the best white balance setting all by itself. Every camera also has a bunch of pre-programmed modes, with fixed Kelvin temperatures; we’ll explore all of these modes a little later!
- See also:Recommended Camera Settings for Landscape Photography
How Does Light Affect Colour?
While for many of you it may seem a weird question, you should know that light comes in different colours. Well, actually that is incorrect. Pure light is white;period. The point is that most of the light sources you’ll be using when shooting (e.g. the sun, lamps and flash) don’t emit pure white light but instead come with different colour casts. Even if you don't notice it, they will have an effect on the colours in the scene.
With a bit of experience, you’ll quickly learn which sources of light emanate with warmer colours and which are cooler, so you can set up the white balance on your camera accordingly!
- See also:Beginner's Guide to Camera Settings
Why You Should Adjust the White Balance
As some peoplesay –sometimes an example is worth more than a thousand words. Check out the image below. On the right side, you can seethe picture as it came straight out of thecamera. On the left side, you can see how it looks with the right white balance after I changed it with post-processing software.
Left: Adjusted white balance in post-production. Right: Original white balance in camera.Photo by: 'Leonardo Papèra'.
I would gladly have a chat with “purists” about the fact that post production is evil and camera shots are the only ones that are showing realitybut this is not the right place nor the right time, so let’s just skip that.
As you can see, the base file presents witha warmer colour cast that is spread all over the image. This is because the camera read the tones of the image as cold and tried to correct them with a warmer white balance.
During editing, I changed it in favour of a more natural, cooler colour cast to recreate an atmosphere similar to the one that I witnessed when I was shooting in-field. As you can see, just a minor change to the white balance can result in an enormous improvement to your pictures.
- See also:The Best Photo Editing Software and Apps for 2020
White Balance In-Camera vs. Post-Processing
So far, I’ve been very specific about the fact that I changed the white balance of the picture during the post-processing phase, rather than when shooting in-field. You might be wondering why I chose to do it in this fashion. After all, it's much more satisfying to take an image with the correct colours without having to post-process it, right?
While I support that opinion, the problem is that sometimes, you won't have enough time forregulating and changing the white balance according to every shot that you take. This is where setting the white balance can become tricky. Wheneveryou change your composition or course of light, you will have to find the right white balance again and that can be time-consuming. So, how should you proceed?
Well, that will depend a lot upon which image format you are recording in. Let me explain.
RAW Format
If you are shooting in RAW, that means that yo'll be post-processing your images anyway, so you may as well leave your white balance setting on "auto". This will allow your camera to deal with the colour temperature in-field. If the camera gets it wrong, then you can correct it with a slider in editing software later on. It's as easy as that.
RAW files record the white balance that the camera has chosen but they also record all of the other data available in-field. This means that if you change the white balance to be warmer or cooler during editing, then no information or detail will be lost. It won't degrade the image or lead to loss of quality at all. You'll only be affecting the colours.
JPEG Format
When you shoot in JPEG, things get a little bit more tricky. Since you won't be editing your images, you'll need to achieve the correct white balance at the moment that you take the shot.
Sometimes, the auto white balance setting on your camera will be accurate. Other times, you'll have to manually select the Kelvin (if your camera has that feature), otherwise you'll have to choose one of the available presets.
To regulate the white balance, you can also use white cards like many photographers did back in the golden days of film photography. For that, you'll need to place a white card in front of the lens to help the camera understand what is white and what isn't. It can then figure out what the best colour temperature will be for the rest of the scene.
Whether you choose to regulate the white balance with white cards or manually in the camera, it will take you way more time to get it right than shooting in RAW format and fixing it later on in post production.
- See also:Image Formats | RAW vs JPEG in Photography
Auto White Balance & Camera Presets
I've mentioned several times now that on many camera models, you will have a series of white balance presets that you can use in addition to automatic white balance. We'll run through each of these now so that you can gain a better understanding of when they should be used.
Automatic Mode
Let’s start with the easiest one. The automatic mode will basically try to guess what the correct white balance is for the scene. You won’t have to do anything except select the auto white balance setting and you'll be good to go!
After you take the shot, there will be two possible outcomes:
The white balance will be perfect. In thiscase, you can keep shooting.
The white balance will be off, in which case you should go into the settings and try some of the other presets.
Tungsten
The tungsten mode will set your white balance around 3000K degrees, which means you should only use it in cases where there are really warm sources of light, such as tungsten light bulbs (hence the name), candles, etc.
Fluorescent
A slightly less extreme preset than the tungsten one, the fluorescent mode will set your white balance to 4200K degrees. It can be used to contrast strong warm lights if the scene appears to be too orange.
Daylight / Sunny
As I mentioned before, when shooting outside during the day with direct sunlight hitting the scene or your subject, the daylight mode willbe the best setting to usefor the occasion. It will set the white balance to around 5000K degrees.
Flash
Unsurprisingly, the flash preset is the best one to use when you have some type of flashlight on your subject. By choosing this mode, the camera will set the white balance at 5500K degrees.
Cloudy
When shooting during cloudy days, you’ll need a slightly different white balance than for sunny daylight shoots. The cloudy preset will set the colour temperature of your camera to 6000K, in order to give your images an extra pop of warmth.
Shade
The shade preset setsyour camera’s white balance to 8000K. It is basically the opposite of tungsten. If you see strong cooler colour casts in your images, which are typical of blue hours or shaded areas, then this mode will help you to take out those unwanted blue tones and achieve a more natural look.
- See also:Beginner's Guide to Post Processing Landscape Photography
How to Set Custom White Balance
If you'vetried all of the presets above but you still haven’t found the perfect white balance for your shot, don’t give upas there is still one more option available: the so-called “K” mode. When selecting this mode, you’ll be able to manually set the colour temperature of your picture by changing the Kelvin degrees to the specific amount that you need.
Setting a custom colour temperature is the most accurate way of achieving correct white balance.Photo by: 'Leonardo Papèra'.
How will you know what amount you need for each situation? Well, after you've used it a few times, you'll get the hang of it. With a lot of practice, you won't need to do as many test shots as you would normally need to achieve the perfect white balance.
- See also:5 Simple Lightroom Post Processing Tips for Landscape Photography
How to Change the White Balance in Post Processing
Post-processing allows you to physically change the colour temperature according to your own creative style with just a simple click.For the sake of this article, I’ll use the three most popular editing programsfrom Adobe to provide examples of how you can change the white balance in post-processing.
Adobe Lightroom
The Temp slider in Adobe Lightroom is highlighted.Photo by: 'Leonardo Papèra'.
With Adobe Lightroom, changing the colour temperature couldn’t be easier. After youopen a picture in the “Develop” section, the first slider you will see is the one named "Temp" inthe develop panel. This is the one you should work with. As the name suggests, you can play with the temperature of the image by adjusting the slider. If you move it to the left, then you'll cool down the tones. Moving it to the right will give more warmth to the colours.
- See also:How to Choose Which Version of Lightroom to Buy
Adobe Camera RAW
The Temperature slider in Adobe Camera RAW is highlighted.Photo by: 'Leonardo Papèra'.
As you can see from the screenshot, the procedure in Camera RAW is basically identical to the one we previously talked about for Lightroom – the only difference is that you won't need to enter the "Develop" panel. Instead, you'll see the sliders straight away.Just move the 'Temperature' slider to find the best white balance for your image. You can also play with the 'Tint' sliderif you have some unwanted green or magenta colour casts.
- See also:Photographing Waves in Iceland | In Field to Post Processing
Adobe Photoshop
The colour balance layer in Adobe Photoshop.Photo by: 'Leonardo Papèra'.
Most of the time, things are a bit more complicated with Photoshop. On the bright side, they can also be more precise.
Here, you’ll find the “Colour Balance” adjustment layer under Layer → New Adjustment Layer → Colour Balance. With this powerful tool, you’ll be able to change the white balance within different areas of the image (such asthe shadows, the midtones and the highlights)with the use of masking. Also, you won’t have just one single slider. For each area, you’ll be able to play with more colour casts in order to achieve the best possible white balance for every part of the image.
- See also:How to Use Complementary Colours in Photography
Creative Uses of White Balance
White balance can be used to create drama.Photo by: 'Leonardo Papèra'.
White balance is not only a powerful tool that will give your images a more natural look. You can also use it to communicatedrama or particular atmospheres to your pictures.
Above and below, you will seetwo different examples in which white balance has been used as a creative tool to express mood. In the first picture, you can clearly see that –given the stormy conditions –I decided to go for a “cold look” by using a cooler white balance. In the shot below, I gave thepicture a more dramatic look by using an overall warmer white balance, since the sun was just peaking out from the clouds and the light was hitting the walls of the town.
